Philosophy Dictionary of ArgumentsHome | |||
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Terminology: This section explains special features of the language used by the individual authors. _____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
Author | Concept | Summary/Quotes | Sources |
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Th.W. Adorno on Terminology - Dictionary of Arguments
Grenz I 14 Adorno/Terminology/Grenz: Physiognomical: expressing Negating: determined. >Negation/Adorno. Grenz I 31 Sociology/Freud/Grenz: applied psychology AdornoVsFreud: "Society is not directly one of human beings, but the relations between the humans have become independent and are overpowering to all individuals.(1) Grenz I 39 Reification/Terminology/Lukàcs/Grenz: Lukàcs familiarizes a broad public with Marx's concept of abstraction in the exchange value under the name of the reification. >Reification, >G. Lukács. Grenz I 65 Innervate/Terminology/Adorno/Grenz: innervate means to react subjectively but physically mediated on history, to perceiev the historical state of rationality and subjectivity. I 65 Constellation/Terminology/Adorno/Grenz: the historical, which is innervated, is called social or aesthetic constellation in Adorno. Grenz I 69 Tradition/Adorno/Grenz: Tradition is what, as a seemingly natural implication of the possible, projects into the present: the "present oblivion"(2). >History/Adorno. I Grenz 129 Positivity/Terminology/Adorno: positivity is conceived as a contradiction of claim and being. Grenz I 195 Aura/Terminology/AdornoVsBenjamin/Grenz: Benjamin's criterion for aura is modified by Adorno. Not the immediate certainty of the authenticity of a single given but its content should make up the aura of a work. This is an extension of the concept. It is necessary because the concept of the subject which produces the real is inscribed in the concept of authenticity. >W. Benjamin. 1. Th.W. Adorno. Gesammelte Schriften Bd. 8 p. 89. 2. Th.W. Adorno. Philosophie der Neuen Musik p. 117f. --- XII 118 World view/Adorno: ideas of the essence and of the connection of things, which measure themselves with the subjective need for unity, after explanation. In other words, the opinion raised to the system. XII 119 While Kant never speaks of "my philosophy", this is done by Fichte, Schopenhauer, and, of course, Nietzsche. >I. Kant, >A. Schopenhauer, >J.G. Fichte._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
A I Th. W. Adorno Max Horkheimer Dialektik der Aufklärung Frankfurt 1978 A II Theodor W. Adorno Negative Dialektik Frankfurt/M. 2000 A III Theodor W. Adorno Ästhetische Theorie Frankfurt/M. 1973 A IV Theodor W. Adorno Minima Moralia Frankfurt/M. 2003 A V Theodor W. Adorno Philosophie der neuen Musik Frankfurt/M. 1995 A VI Theodor W. Adorno Gesammelte Schriften, Band 5: Zur Metakritik der Erkenntnistheorie. Drei Studien zu Hegel Frankfurt/M. 1071 A VII Theodor W. Adorno Noten zur Literatur (I - IV) Frankfurt/M. 2002 A VIII Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 2: Kierkegaard. Konstruktion des Ästhetischen Frankfurt/M. 2003 A IX Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 8: Soziologische Schriften I Frankfurt/M. 2003 A XI Theodor W. Adorno Über Walter Benjamin Frankfurt/M. 1990 A XII Theodor W. Adorno Philosophische Terminologie Bd. 1 Frankfurt/M. 1973 A XIII Theodor W. Adorno Philosophische Terminologie Bd. 2 Frankfurt/M. 1974 A X Friedemann Grenz Adornos Philosophie in Grundbegriffen. Auflösung einiger Deutungsprobleme Frankfurt/M. 1984 |